Immortal is coming back!

They are on studio in Sweden.


A statement on their Facebook page says that Horgh – real name Reidar Horghagen – (Immortal, Hypocrisy) has just completed the drums for the next Immortal album. Nothing is said about the tracking list or the title of the album or even if Apollyon – real name Ole Jørgen Moe – (Aura Noir, Waklevören, ex-Cadaver, Ex- Dødheimsgard) is participating on the sessions.

Of course, the drums were recorded at The Abyss by Peter Tägtgren. More information soon.

(Daniel “Roderick Totentanz” Death)

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Norwegian Icon announces new album.

The date is still unknown.


The one and only Kari Rueslåtten (the inspiration for plenty of famous female singers) announces in her Facebook page that she is finishing up writing her new album and from there she’s going directly to the studio to start the recordings.

With no title and no date of release defined yet, that will be the third album from the singer since her comeback in 2014 with Time To Tell (succeeded by To the North) after nine-year hiatus.

(Daniel “Roderick Totentanz” Death)

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Lábar’Oculto releases its first single on Bandcamp.


Odes In Tenebris (aka Bestial Wolf Berserker) from the Brazilian occult bands Wodanaz and Mausoleum is back with a new brand of Black Metal with some of his cohorts in Wodanaz with the sophomore release, the single Fragmentos de um Crânio (the first one was the demo Ato I – Ao vivo no UMF XVIII)

Unfortunately, there is only one song which is midtempo and sung in Portuguese. Do you want to hear it? It’s streaming for free on Bandcamp but you can always get the digital copy for a dollar. Link is here:

Good thing is that if you’re NOT into digital, Misanthropic Records will be releasing it on the second semester of 2017. It’s a long road but it’s always good to have a head start to buy it.

To ask for a correct release date in the long running, go to Misanthropic Records on Facebook for further information

(Daniel “Roderick Totentanz” Death)

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Metallica – Hardwired… to Self‐Destruct – Blackened Recordings

The proverbial double-entendre, the conspicuous hindsight bias.


Metallica has a great imperfection: they don’t sound like anybody else, so you just have Metallica to compare. Also, as in the constant artistic search to stay relevant they played their games in the past (Load and Reload) which were a mistake. Period. They triplicated their income. It was sell-out. Period. That’s why they are trying to prove since St. Anger that they are relevant to a new generation and now that millennials know that the truth is all there, they are playing for keeps, because, you know, confidence is something that is hard to get back.

That’s the price to pay to be the most famous band in the world.

The second “if” is their bet in a double album. Okay there’s nothing new here, they were always known for doing enormous songs. But Iron Maiden did that in their last album to a rate of 50/50 approval. Judas Priest made this bet some years ago with Nostradamus and they’d LOST! Why it should be different with Metallica?

And finally, the curse inside metal musicians: once you experiment and fans don’t approve it (over again Load and Reload) there’s NO turning back. I explain myself. Sepultura made a shitload (and a shit-reload, ha) of success when they released Roots and no matter how they try to differ from that, that Brazilian tribal sound will always make part of what they are. Another sample? Kreator: once they recorded their “goth” albums, no matter how badass they sound again today, that sound will always lurk…

But I digress… Forget Kill ‘em All and forget “Black album”. If you are nostalgic fan, you might get very disappointed.

But this time they make their stand and for real: take it or leave it!

After the fast and killer Hardwire and the mercurial Atlas, Rise! the song Now That We’re Dead is not that impressive, although the limpid production gives it some lost dignity and while Moth into the Flame is really up beating, Dream No More doesn’t exactly go down the road, I just believe that it’s not so impressive except for one thing – “Madness, they say Cthulhu awaken”. I mean, SERIOUSLY?

Now the really unnecessary song that would make no difference in the final cut: Halo on Fire (the last song of the first CD), and although I’m being honest when I say that the solos are killer, hell, why a 9-minute quasi ballad? It’s a hard-rocker for sure, but it has this dual facet: the first minutes are a real bummer, while the second half is decent. Oh well…

Okay after all, disc one is not that chore, so let’s jump to second part without further ado.

The opener Confusion is a real and good Metallica song, the real thing. It’s not fast but it has a killer rhythm guitar very characteristic of the older Metallica. Solos are plentiful and the tempos are many. Excellent.

After a lousy 30-second intro, the song ManUNkind is all heaviness with a syncopated drumwork and it’s a good song, vocals and all. Feel secure in this one, it’s a singalong and the gradation is there making it several songs into one. Almost seven minutes that sounds like three. It’s a good thing, isn’t it?

Surprisingly (for haters at least) Here Comes Revenge keeps the momentum and differently from the latter song, it’s more cohesive, more easy to understand at first heed. Another score.

Changing the pace, the tune Am I Savage? Is more of a commercial shot, but you see, it’s not irritating. It’s just more snail paced compared to the songs of the second disc. I dig the solos though.

Murder One follows suit and it’s all melodic.

But the icing in the cake is the last track, Spit Out the Bone which is a VIOLENT (man, am I really saying that?) thrash metal song, that makes me bang my head and open an invisible mosh until the cow comes home!

There is a third disc that I haven’t have the opportunity to hear, and it will contain covers of Iron Maiden and Deep Purple, plus a tribute to Dio, plus a live set. I am totally curious to hear those.

The conclusion: Disc one has its great moments and its strange flaws. Disc two is Metallica taking back their dignity and throwing up in the face of everybody. Some will love, some will hate. Again, forget the “old days”. And forget the lousy albums. Also, forget the “tentative” albums like St. Anger and Death Magnetic. Metallica haven’t got stuck in the past in any way or form. This time they got what they were after: a very good Thrash Metal album!

Hardwired… to Self‐Destruct is going to be out on November 18th on Blackened Recordings.

(Daniel “Roderick Totentanz” Death)

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Kyy – Beyond Flesh – Beyond Matter – Beyond Death – Saturnal

Beyond matter there’s only blackness.


I don’t have repeat the obvious, but I will do anyway: Finland has the most satanic black metal bands in the world. Kyy is another one to the biggest pantheon they already have, with this debut album (their first release was last year’s  Travesty of Light)

The song here is a muffed black metal. I know muffed is not even a good word to describe a black metal band, but the production is a middle ground between the true mudded sound and some balanced audible music.

Strange as it may sound in a first spin, the album gets one by his balls: raspy, aghast, horrific music only for fans of Baptism, Sargeist, Horna, Behexen and Azaghal.

Songs like Legio Serpenti, Death Within and mainly the desperation of Reditus pay dividends if one absorbs properly the noxious gasses emanated by the band.

Panta Rhei is a pure black metal insanity, none so vile, second to none: fast drumming, classical Scandinavian riffs, heartless music for insensitive minds.

It’s all straightforward blackness with doubled vocals, like demons in a bottomless chasm of destruction, spewing blasphemies all over as in the track Erecting Temple of Adversary

There’s no attribute to this band other than pure perfectness! This is the kind of sound I’d listen everyday, all day long, if I had the opportunity to do so.

Beyond Flesh – Beyond Matter – Beyond Death  is out now on Saturnal 

(Daniel “Roderick Totentanz” Death)

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Is Power From Hell vocalist a real-life rapist?

Vocalist of Power From Hell allegedly accused from being a rapist.


And so goes the internet exploding like a gunpowder. One woman posted in the night of Halloween that Sodomizer (the vocalist of the Brazilian Black Metal band Power from Hell) was seeing going out of a Ford, seconds after a girl (16 years old) is seeing crossing the street. The camera then shows a long-haired guy going out of the Ford, disappearing into the darkness of the camera, returning running while a policeman narrates everything that was recorded. According to the rumors, the girl was grabbed by the breasts, screamed, then the guy returns to the Ford (this image appears in the video). It’s impossible though, to identify the face and the Vehicle registration plate of the Ford.

Crossing the information, the site posted that a guy, named just AS was taken in custody by police of Guarulhos (the municipality where PFH hails from). It so happens that the name of Sodomizer is Arão Silva, making the ends meet.

The problem is that the woman who shared the post on Facebook seems to be unknown of the fact that a heavy metal musician is being accused of the crime (although she posted the photos of Sodomizer – no pun intended – along with the video), and so is the site Guarulhos Web.

Strangely, nobody of Power from Hell posted anything on their Facebook since Halloween, seeming to be just “disappeared”

Sodomizer plays in another band called Anarkhon whose name of the first demo is PEDOFILIA.

Power From Hell is from the label Hells Headbangers Records and recently played on Hells Headbash in United States. They also played in Mexico with great public acclaim.

Although forms of art like violence and even rape must be respected inside extreme metal music, I would like to inform that Dark Souls United does not comply with ANY FORM of violence against women and children in real life. We do not support rape or rapists.

It’s still unconfirmed that Sodomizer is the real perpetrator or if he’s being falsely accused of a crime he hasn’t committed, but talking to a famous guy in the scene, he said: “the damage is done. The news is spreading and even if he’s not the actual guy, nobody will tolerate his presence in shows, he might be beaten or even murdered”.

(Daniel “Roderick” Death)

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New Sepultura album and it’s weirdest cover to date

Sepultura is coming back in January.


New Sepultura album, Machine Messiah (would be a hint to the Yes song?)  was recorded in Sweden by Jens Bogren (Soilwork, Opeth, Katatonia, Amon Amarth) of Fascination Street Studios in Örebro and it presents their weirdest cover to date made by Filipino artist Camille Dela Rosa. Kinda psychedelic stuff (a mix of Iron Maiden and King Crimson), or something like that. What do you think about it? The date of release: January 13th, 2017



(Daniel “Roderick” Death)

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